Members of the Working Writers Group (WWG)
Ann de Forest • Ann’s fiction and nonfiction, as well as her practice as a walking artist, often center on the resonance of place. Her short stories, essays, and poetry have appeared in Cleaver Magazine, Found Poetry Review, The Journal, Hotel Amerika, Timber Creek Review, Open City, and PIF, and in Hidden City Daily, where she’s a contributing writer. Ann has documented stories of displacement for Al Bustan: Seeds of Culture, examined the bonds that develop between home health care providers and their patients in the book Healing on the Homefront, and has walked the entire perimeter of Philadelphia with three other artists, initiating an ongoing collaboration to open up new conversations about margins and edges, the power of slow creative practice, and art as collective witness.
Louis Greenstein • Louis (http://www.louisgreenstein.com/) is the author of the novel Mr. Boardwalk from New Door Books. He is also the co-author, with Kate Ferber, of One Child Born, a cabaret based on the music of Laura Nyro, developed at CAP21 and produced by the New York Musical Festival, Boston's American Repertory Theater (Oberon Stage), Joe’s Pub at the Public Theater, World Cafe Live (Downstairs), and other venues on the East Coast. His one-act plays, Smoke, Interview with a Scapegoat, and The Convert, are published by Dramatic Publishing and have been produced in the United States and abroad. Louis is the co-author as well of With Albert Einstein, a one-man show about the great scientist. He is the recipient of a Pennsylvania Council on the Arts playwriting fellowship. His fiction has appeared in Margins Magazine, Philadelphia Stories, Muse Apprentice Guild, and Dream Forge and has been performed in the Writing Aloud series.
Sam Gridley • Sam’s novel The Shame of What We Are was published by New Door Books in 2010. He has also published another novel, The Big Happiness, as well as fifty-odd stories (some of them very odd, he says) and miscellaneous pieces of satire. In addition, he has written a number of pseudo-educational books under a pseudonym. Links to many of his works can be found at his blog, The News from Gridleyville. The recipient of numerous magazine awards and three fiction fellowships, Sam augments his literary existence by editing and designing books.
Mark Lyons • Mark’s story collection, Brief Eulogies at Roadside Shrines, published by Wild River Books in fall 2014, was named a finalist in the Eric Hoffer Awards. His fiction has also appeared in Whetstone (J. P. McGrath Memorial Award), Bucks County Writer, Sensations, the Schuylkill Valley Journal of the Arts, Piker Press, Wild River Review, and Cleaver and has been read in the Writing Aloud series at Philadelphia’s InterAct Theatre Company. He is a recipient of Pennsylvania Council on the Arts fellowships for 2003 and 2009 and was nominated for the Pushcart Prize. He is co-editor of Espejos y Ventanas / Mirrors and Windows: Oral Histories of Mexican Farmworkers and Their Families, and editor and translator of Dreams and Nightmares / Sueños y Pesadillas, the memoir of a young Guatemalan woman who fled alone to the USA at age 14. He currently works as co-director of The Philadelphia Storytelling Project, in which immigrants produce audio stories about their lives. These stories are webcast, played on radio, and published in Wild River Review.
Nathaniel Popkin • Nathaniel Popkin (http://nathanielpopkin.net) is a nationally recognized writer and editor of fiction and non-fiction, film, criticism, and journalism. He is the author of three books of non-fiction and two novels, including the 2018 Everything Is Borrowed (New Door Books), called "utterly absorbing" by the author Robin Black, and is the co-editor of a recent anthology in response to the American political crisis, Who Will Speak for America? (Temple University Press). In 2018 he turned his attention to the ecological crisis, describing the present era as an “age of loss” in a short essay in The New York Times. Popkin has been a Fellow of the Pennsylvania Council on the Arts, Writer-in-Residence at the Athenaeum of Philadelphia and Jefferson University, and an artist-in-residence at Rivendell Writers Colony in Tennessee and the Gullkistan Center for Creativity in Iceland. The recipient of several Emmy Awards for documentary film writing, he is the writer of the 2018 film documentary Sisters in Freedom, the story of the trailblazing women who crossed racial lines in the fight to end slavery. Popkin’s first novel, Lion and Leopard (The Head and The Hand Press), was a finalist for the Foreword Reviews Indie Book of the Year Award. Popkin is also co-founder of the web magazine Hidden City Daily and the reviews editor of Cleaver Magazine. His literary criticism and essays have appeared in The New York Times, Wall Street Journal, Kenyon Review, LitHub, Tablet, Public Books, and Rain Taxi, among many other publications.
David Hallock Sanders • David (https://davidhsanders.com/) is the author of the novel Busara Road, published by New Door Books and shortlisted as a finalist for the William Faulkner–William Wisdom Prize for a novel-in-progress. He is a winner of the Third Coast national fiction competition, the Benjamin Franklin Tercentenary Autobiography Project, and the Dwell/Glass House Haiku Competition; and he was a finalist for the Crescent Review’s Renwick-Sumerwell Prize, the SLS International Fiction Contest (twice), and the New Letters National Fiction Award. David’s short fiction has appeared in publications that include Baltimore Review, Bucks County Review, Cleaver Magazine, The Laurel Review, Philly Fiction, Schuylkill Valley Journal, Sycamore Review, Talking Stick Review, The Best of Philadelphia Stories, 2000 Voices, and others. His short plays have been produced by InterAct Theatre Company and Brick Playhouse, and he was the founding director and host of Writing Aloud, InterAct Theatre Company’s “Best of Philly” Award–winning reading series.
Debra Leigh Scott • Debra (www.debraleighscott.com) is an award-winning writer and playwright. Her collection of short stories, Other Likely Stories, is available from Sowilo Press, and her stories have also appeared in The Oxford American, The Chattahoochee Review, River City, Miranda, TPQ, The Ashen Eye, Adelaide Literary Magazine, and The Abiko Quarterly in Japan. She is the Founding Director of Hidden River Arts, which conducts workshops and literary outreach programs, publishes books, and sponsors literary competitions. Debra is currently writing and co-producing a documentary film, ’Junct: The Trashing of Higher Ed. in America. She is also a singer, performing (with her singing partner, Jean Brooks) as one-half of Cabaret Divas.
Miriam Seidel • Miriam is the author of the novel The Speed of Clouds, published by New Door Books. She wrote the libretto for Violet Fire, an opera about Nikola Tesla, with score by Jon Gibson, which had its world premiere in Belgrade, Serbia, and its U.S. premiere at the Brooklyn Academy of Music. She is also the librettist for the opera Judgment of Midas, with a score by Kamran Ince, developed with American Opera Projects and premiered in 2013 in Milwaukee; this libretto has been published by The Cooperage. Miriam’s work is also seen in magazines such as Exquisite Corpse, Washington Square, Phoebe, and First Intensity, in the book Meet Me at the Birdhouse (Brigid's House), and in the anthology Asteroid Belt Almanac (The Head and the Hand Press). A three-time winner of the Fellowship in Art Criticism from the Pennsylvania Council on the Arts, Miriam has written on the arts for The Philadelphia Inquirer, Art in America, and Dance Magazine. She blogs on art, new opera, the future of books, and more at MiriamSeidel.com.
Ann de Forest • Ann’s fiction and nonfiction, as well as her practice as a walking artist, often center on the resonance of place. Her short stories, essays, and poetry have appeared in Cleaver Magazine, Found Poetry Review, The Journal, Hotel Amerika, Timber Creek Review, Open City, and PIF, and in Hidden City Daily, where she’s a contributing writer. Ann has documented stories of displacement for Al Bustan: Seeds of Culture, examined the bonds that develop between home health care providers and their patients in the book Healing on the Homefront, and has walked the entire perimeter of Philadelphia with three other artists, initiating an ongoing collaboration to open up new conversations about margins and edges, the power of slow creative practice, and art as collective witness.
Louis Greenstein • Louis (http://www.louisgreenstein.com/) is the author of the novel Mr. Boardwalk from New Door Books. He is also the co-author, with Kate Ferber, of One Child Born, a cabaret based on the music of Laura Nyro, developed at CAP21 and produced by the New York Musical Festival, Boston's American Repertory Theater (Oberon Stage), Joe’s Pub at the Public Theater, World Cafe Live (Downstairs), and other venues on the East Coast. His one-act plays, Smoke, Interview with a Scapegoat, and The Convert, are published by Dramatic Publishing and have been produced in the United States and abroad. Louis is the co-author as well of With Albert Einstein, a one-man show about the great scientist. He is the recipient of a Pennsylvania Council on the Arts playwriting fellowship. His fiction has appeared in Margins Magazine, Philadelphia Stories, Muse Apprentice Guild, and Dream Forge and has been performed in the Writing Aloud series.
Sam Gridley • Sam’s novel The Shame of What We Are was published by New Door Books in 2010. He has also published another novel, The Big Happiness, as well as fifty-odd stories (some of them very odd, he says) and miscellaneous pieces of satire. In addition, he has written a number of pseudo-educational books under a pseudonym. Links to many of his works can be found at his blog, The News from Gridleyville. The recipient of numerous magazine awards and three fiction fellowships, Sam augments his literary existence by editing and designing books.
Mark Lyons • Mark’s story collection, Brief Eulogies at Roadside Shrines, published by Wild River Books in fall 2014, was named a finalist in the Eric Hoffer Awards. His fiction has also appeared in Whetstone (J. P. McGrath Memorial Award), Bucks County Writer, Sensations, the Schuylkill Valley Journal of the Arts, Piker Press, Wild River Review, and Cleaver and has been read in the Writing Aloud series at Philadelphia’s InterAct Theatre Company. He is a recipient of Pennsylvania Council on the Arts fellowships for 2003 and 2009 and was nominated for the Pushcart Prize. He is co-editor of Espejos y Ventanas / Mirrors and Windows: Oral Histories of Mexican Farmworkers and Their Families, and editor and translator of Dreams and Nightmares / Sueños y Pesadillas, the memoir of a young Guatemalan woman who fled alone to the USA at age 14. He currently works as co-director of The Philadelphia Storytelling Project, in which immigrants produce audio stories about their lives. These stories are webcast, played on radio, and published in Wild River Review.
Nathaniel Popkin • Nathaniel Popkin (http://nathanielpopkin.net) is a nationally recognized writer and editor of fiction and non-fiction, film, criticism, and journalism. He is the author of three books of non-fiction and two novels, including the 2018 Everything Is Borrowed (New Door Books), called "utterly absorbing" by the author Robin Black, and is the co-editor of a recent anthology in response to the American political crisis, Who Will Speak for America? (Temple University Press). In 2018 he turned his attention to the ecological crisis, describing the present era as an “age of loss” in a short essay in The New York Times. Popkin has been a Fellow of the Pennsylvania Council on the Arts, Writer-in-Residence at the Athenaeum of Philadelphia and Jefferson University, and an artist-in-residence at Rivendell Writers Colony in Tennessee and the Gullkistan Center for Creativity in Iceland. The recipient of several Emmy Awards for documentary film writing, he is the writer of the 2018 film documentary Sisters in Freedom, the story of the trailblazing women who crossed racial lines in the fight to end slavery. Popkin’s first novel, Lion and Leopard (The Head and The Hand Press), was a finalist for the Foreword Reviews Indie Book of the Year Award. Popkin is also co-founder of the web magazine Hidden City Daily and the reviews editor of Cleaver Magazine. His literary criticism and essays have appeared in The New York Times, Wall Street Journal, Kenyon Review, LitHub, Tablet, Public Books, and Rain Taxi, among many other publications.
David Hallock Sanders • David (https://davidhsanders.com/) is the author of the novel Busara Road, published by New Door Books and shortlisted as a finalist for the William Faulkner–William Wisdom Prize for a novel-in-progress. He is a winner of the Third Coast national fiction competition, the Benjamin Franklin Tercentenary Autobiography Project, and the Dwell/Glass House Haiku Competition; and he was a finalist for the Crescent Review’s Renwick-Sumerwell Prize, the SLS International Fiction Contest (twice), and the New Letters National Fiction Award. David’s short fiction has appeared in publications that include Baltimore Review, Bucks County Review, Cleaver Magazine, The Laurel Review, Philly Fiction, Schuylkill Valley Journal, Sycamore Review, Talking Stick Review, The Best of Philadelphia Stories, 2000 Voices, and others. His short plays have been produced by InterAct Theatre Company and Brick Playhouse, and he was the founding director and host of Writing Aloud, InterAct Theatre Company’s “Best of Philly” Award–winning reading series.
Debra Leigh Scott • Debra (www.debraleighscott.com) is an award-winning writer and playwright. Her collection of short stories, Other Likely Stories, is available from Sowilo Press, and her stories have also appeared in The Oxford American, The Chattahoochee Review, River City, Miranda, TPQ, The Ashen Eye, Adelaide Literary Magazine, and The Abiko Quarterly in Japan. She is the Founding Director of Hidden River Arts, which conducts workshops and literary outreach programs, publishes books, and sponsors literary competitions. Debra is currently writing and co-producing a documentary film, ’Junct: The Trashing of Higher Ed. in America. She is also a singer, performing (with her singing partner, Jean Brooks) as one-half of Cabaret Divas.
Miriam Seidel • Miriam is the author of the novel The Speed of Clouds, published by New Door Books. She wrote the libretto for Violet Fire, an opera about Nikola Tesla, with score by Jon Gibson, which had its world premiere in Belgrade, Serbia, and its U.S. premiere at the Brooklyn Academy of Music. She is also the librettist for the opera Judgment of Midas, with a score by Kamran Ince, developed with American Opera Projects and premiered in 2013 in Milwaukee; this libretto has been published by The Cooperage. Miriam’s work is also seen in magazines such as Exquisite Corpse, Washington Square, Phoebe, and First Intensity, in the book Meet Me at the Birdhouse (Brigid's House), and in the anthology Asteroid Belt Almanac (The Head and the Hand Press). A three-time winner of the Fellowship in Art Criticism from the Pennsylvania Council on the Arts, Miriam has written on the arts for The Philadelphia Inquirer, Art in America, and Dance Magazine. She blogs on art, new opera, the future of books, and more at MiriamSeidel.com.
